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M consists of three interconnected stories exploring the way relationships build up and then fall apart. Or sometimes don’t. You can read an earlier draft of one of these stories here. 44 pages. Full color. 8.5 x 10. $4+ Preorder here. If you buy now you’ll get a copy in late August. Then it ‘officially […]

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czapbooks: Czap Books Fall/Winter 2015 Schedule Ley Lines: For Lives Andrew White A portrait? A portrait of Gertrude Stein? A portrait of Pablo Picasso’s Portrait of Gertrude Stein? Using primary source material, White examines the production of this renowned painting. About the Author Andrew White’s comics explore the overlap between narrative and abstraction, often within […]

June

Narcopolis, Jeet Thayil Lire et Comprendre le Coran, Abu Hamid al-Ghazali (tr. Tayeb Chouiref) The Man Who Mistook His Wife for a Hat, Oliver Sacks A Frolic of His Own, William Gaddis [gave up about halfway through but might give it another shot] The Perks of Being a Wallflower, Stephen Chbosky (reread) Smoo 9, Simon Moreton […]

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comicsworkbook: Comics Workbook Magazine #8 is available now from Copacetic Comics. This issue features an interview with Sanita Muižniece and David Schilter of kuš! by Laila Milevski and a cover photo by Zach Mason. We also have the essay Alone in a Crowd: A Close Look at Julie Doucet’s “The Double” by Daryl Seitchik, an […]

May

The Secret History, Donna Tartt Toulouse-Lautrec: A Life, Julia Frey Fat Skeletons, Ursule Molinaro Robert Rauschenberg, Catherine Craft Georgia O’Keeffe: An Eternal Spirit, Susan Wright Pope Hats 4, Ethan Rilly Optic Nerve 14, Adrian Tomine Cosplayers 2, Dash Shaw

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Hi, it’s Andrew. I’m back on my Tumblr again. I tagged all of Kimball Anderson’s writing about my work in the past week if you want to read it. I was very flattered by Kimball’s insights. Here are some in-progress tidbits from the story I’m working on now.

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comicsworkbook: Andrew White  “shattered glass” Made for Comics Workbook Another piece that feels a little bit Craghead inspired!  Here we have the text right in the middle.  And here we have a lot less clear text.  It’s not emotionally driven, exactly, nor is it telling a story or responding to the representational details.  What I’d argue […]